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Sometimes a Heart Can’t Afford to Be Just Friends

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Click on the above image to peep the tweet which says,
“Sometimes a heart can’t afford to be just friends.”

My general rule is that if I am uncomfortable, I won’t do it.

I been number one AND number two before.

Number dos is bad for your self esteem IF YOU really want
the top spot. I was a kid then when I did that shit. I’m grown now.

Saw this tweet and thought it was remarkable, given the
“can we be friends” or “can you have friends” terrain I have
be walking lately. Ummp. Ummm. Ummp.

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happening.

My momma say, “Good things come to those who wait,
just don’t wait too long.”

Phonte’s Just Friends

Amy Winehouse <<Just Friends track.

Became anyone’s “friend” lately?

Had to make someone a “friend”?

Ummmp.

Aye Blood…….

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I am old enough to know that it will go away.

But damn Gina if I don’t miss my friend.

Tonight, I am working on a review of 5 years of a feminist journal. I got stacks of papers, outlines, mo’ stacks of papers. The goal is for us to start thinking about the places that we would like to publish, places where our work will fit.

Hard assignment.

But it is the kind of thing that will allow me to KNOW a journal that I would like my work to be in.

Sometimes, there is nothing harder than accepting that you
have to let that thang go.

What’s perhaps even more difficult is when the person
was your friend, and that you are similarly situated
in life, in terms of work. That cha’ll went or will soon go through
the same shit.

In fact, this assignment is showing me how historians are like
lawyers in that they stay putting stuff into seperate categories,
then analyzing the categories. I have been thinking in terms of
categories and themes for the last 48 hours to make this assignment pop off.

I am close to God tonight.? I’m tired. Imma work till 12, then lay it down.
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I would imagine he may read from time to time. So,
if you catch this Love, I am doing a review of 5 years
of the journal Meridians and the papers are awesome:

“Guantanamo: A Feminist Perspective on U.S Human Rights Violations” by Victoria Brittain

“Never Innocent: Feminist Trouble with Sex Offender Registries and Protection in a Prison Nation” by Erica Meiners

“The Future of our Worlds: Black Feminism and the Politics of Knowledge in the University under Globalization” by Grace Kyungwon Hong

“Hip-Hop Honeys and Da Hustlaz: Black Sexualities in the New Hip Hop Pornography” by Mireille Miller-Young

Back to 2nd person.

I know that he would appreciate not only the fact that I have this assignment, but the pedagogy that the professor is using in terms of getting us to do the assignment. She just said DO it. No guide. It is forcing us to stretch.

I COULD call a grad school homie, but we all doing the same assignment. At home, pressed, reading, trying to make sense of it all and meet our deadline.

I am grateful for this blog as a place to work it out.

Thank you for reading. Especially you T.dot. You inspire me.

Fearless y vulnerable,

~neens

Race + Class + Sexuality

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Once I learned that Race, Class, Gender and Sexuality mutually
construct each other, I ain’t been the same since/sense.

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Black Sexual Politics
Black Queer Studies
New Black Man

#Blackgirlfromthefuture#12

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Today I saw Lorraine O’Grady speak.

In the above photo, she is doing a performance piece titled
Mlle Bourgeoise Noire. Here is some information about the performance:

Mlle Bourgeoise Noire, O’Grady’s first public performance, remains the artist’s best known work. The persona first appeared in 1980 under the Futurist dictum that art has the power to change the world and was in part created as a critique of the racial apartheid still prevailing in the mainstream art world.

Here is a short excerpt, from her website about the performance,

Wearing a costume made of 180 pairs of white gloves from Manhattan thrift shops and carrying a white cat-o-nine-tails made of sail rope from a seaport store and studded with white chrysanthemums, Mlle Bourgeoise Noire (Miss Black Middle-Class) 1955 was an equal-opportunity critic. She gave timid black artists and thoughtless white institutions each a “piece of her mind.” Her first invasion of an art opening unannounced was of Just Above Midtown, the black avant-garde gallery. Her second was of the recently opened New Museum of Contemporary Art.

I swear she is #blackgirlfromthefuture#12.

Today, she was real insistent about:

The need for Black Art Historians to look at 1977-87
to get a sense of what was happening in the Art world
that allowed David Hammonds and Adrian Piper to blow up the scene

The importance of thinking about WHY certain Black artists
are allowed to shine, and others are not.
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The need to focus on the uncomfortable stuff, and to stretch
in our work.

The need for dissertations to be written about Black artists
other than Kara Walker.

The importance of Black art being connected to a political
project.

The need for Black artist to make art that didn’t look like they
were wearing white gloves while constructing it.

As she was talking, I couldn’t help but think about my essay
about Beyonce, and why it was challenging for some folks to see
that I was not “talking about” Beyonce per se, but that I felt
it was important to analyze WHY Ms. Knowles made $87M in a calender
year, when Black wealth is so hard to come by in this country.

In short.

We always need to scrutinize who “makes it.” And ask ourselves
whose intersts are being served by the fact that “So and So Negro”
is the one shining right now.

All That I Can Say

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I have been listening to this Mary Album lately.

Its up beat and has some jawns on it.

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Think I am going go to or throw listening party
for that album.

Seems apropo, no?