When Blog Readers Respond: Ms. Whitney M.

Image from UK Daily Mail

This weekend I wrote a lot.

One of the posts was “Can African Americans Find Their Voice in Cyberspace?”

And Whitney Muse responded writing a comment so long that it crashed the comments box. I am honored!

One of the material differences between newspapers and blogs is the interaction between writers and readers. The explicitly ways in which readers speak back.

Below is a summary of Whitney’s response to my post.

I have reorganized her comment so that a comment or question (from me or Ms. Cunningham comes first, then Whitney’s response follows.)
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What does it mean that some of the biggest Black blogs online are press release mills that lightweight resemble Jet + Ebony lite?

Whitney: That the biggest Black blogs resemble Jet and Ebony is a way of limiting the use of technology and blogs as a political organizing tool. There?s no coverage of the blogs that are politically engaged & produce critical analysis in the style of Emerge magazine from the 1990s or the black press, ie-Chicago Defender, Philadelphia Tribune, etc. This allows black blogs to not be a part of? ?focus[ing] on freedom discourse as a means of exploring strategies for collective political action and accountability to black interests.? The biggest black blogs are yet another institution that?s not taking part in the rebuilding of the ?black civic infrastructure.?

I qouted Dayna Cunningham saying that she “would argue that today, black politics has largely been reduced to the electoral and legislative spheres?

Whitney: I?d argue that black politics have been reduced to the electoral sphere only, at least in federal politics. Black Politics are brought up legislatively when corporate policies need a black face to get sympathy/support. Recent examples include the ban on flavored cigarettes that was written to exclude menthols, which are very popular among blacks; Cathy Hughes as the face of opposition to the Radio/Performance Tax; little black children as the face of No Child Left Behind when GWB signed it into laws in 2001; and the voucher & charter school movements as escapes from failing urban schools & as tools to help black children but are actually fronts for hedge fund/Wall Street/foundation money.

I asked in the post “What are the consequences of doing nothing?”

Whitney: The black blogosphere can still be used to rebuild the ?black civic infrastructure? but it will be done at the margins, without the full force of the power of the blogosphere.

Dayna Cunningham stated “The majority of whites did not support Obama.”

Whitney: There was a period between election day 11/4/08 and inauguration day 1/20/09 in which there was less white hostility and an increase in his approval ratings, up to 65% from his electoral percentage of 53% (I don?t have a racial breakdown for the Jan 09 number). The majority of whites did not vote for Obama but there was an increase of white support before the inauguration. During this time, there was a rise in the incessant post-racial talk and hope for working together to improve the country. All of which disappeared shortly after inauguration and we got the rise of the corporate funded, ?grassroots? Tea Party.

I comment on how Dayna Cunningham is “asking how marginalized folks can use the internet to speak back to the majority.”

Whitney: I?d argue that marginalized individuals weren?t a large part of the Obama for America online network and that within the limiting framework of Obama for America there isn?t space to push for an agenda that is different from the president?s, be it an agenda that is more progressive on issues that are being addressed or an agenda that addresses issues that are missing from the national discourse.

Response/Additions to what can you do?

Whitney: 1+2. Go to a city council meeting and/or a school board meeting. They usually post the agendas online before the meeting so you’ll know what will be discussed. If there’s an open comment section, sign up so you can add your thoughts/opinions.

For Colored Girls Blog Carnival

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Dear QBG/CFC Bloggers, Friends,?colleagues, and more,

With the premiere of Tyler Perry?s?For Colored Girls approaching,?we at?Quirky Black Girls are planning a?blog carnival concerning the movie. A blog carnival consists of hosting a webpage where linked blog posts discuss a similar subject. We know that many people are going to blog about the movie, the way that it relates (or doesn?t) to Shange?s original work, how it represents black women and men, how?triflin? it is, so we decided to create a central location where people could read it all!

If you would like to participate in the carnival, please send us a link to your blog at quirkyblackgirls[at]gmail[dot]com by Friday, November 12, 2010.

Oh and be sure to check out what?Real Colored Girls are doing in terms of helping folks organize screenings and discussions in their area! Also, Evelyn Alfred is rocking out with a?For Colored Girls twitter book club! Check the #forcoloredgirls for all the awesomeness!

With so much love and rainbows,

QBG?s Fallon & Moya

“Who’s Afraid of Ciara Woolf?: On BET’s Tolerance of Certain ‘Freaks'”

Last week on twitter I was looking for video’s featuring Nicki Minaj that featured sexual desire for a guest lecture.

I ended up using the video “Little Freak“? by Usher feat. Nick Minaj.

I stumbled upon Ciara’s Ride video yesterday and I was struck by, well how erotic it was.

By erotic I mean conveying sexual desire, conveying feeling.

And BET is not playing it.

In many ways Ciara in the Ride video is more erotic than Nicki and Usher in Little Freak, even though Nicki Minaj is talking about how many “ho’s” she has and how she wants to steal Cassie from Puffy. [Peace MZ for correcting my typeo. #oldsnarko].

Reading these two videos against each other, it is clear that there is? sexual desire in the Ciara video whereas there is more eroticism in a? Sunday Night football game than in the Usher/Nicki video.

BET has chosen not to play the Ride video.

The main difference between the two videos is the Ciara’s largely features her dancing against a white background.

You are forced to look at her and only her until Ludacris joins her to spit his rhyme.

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#ummhmm.

What does it mean that BET refuses to play Ride because they arguably find it too sexually suggestive?

Why is this video banned (or simply not being played) but the 5011 other rap videos with ubiquitous half nude, anonymous video vixens, and video extra’s get major rotation?

Here are some of the songs that you can vote for this week on BET.com

Bobby V. ft Plies “Phone #.”

Rick Ross “Aston Martin Music.”

Gucci Mane “Remember When.”

Is Black women’s sexuality being displayed on her own terms a threat that compels BET to react with censorship.

Wait till you See my Dick” is cool but Ride ain’t? I mean blood, the simulated orgy scene? #ummhmm. #youain’tgottaLieCraig.

Sexual double standard?

White Men X Rap Music x Black Masculinity

Black men have a very particular history in this country. In popular imagination they are violent, hypersexualized monsters.

Think Birth of a Nation, Minstrel shows, lynching as a political tool.

In rap music, arguably since The Chronic, the main type of rap artist who shines is the thug who gets money, “ho’s” and clothes. In fact, this is the predominant Black male figure in mainstream rap music and elements of this kind of masculinity can be seen in underground regional and underground national music as well (underground meaning music that doesn’t get radio play but has a substantial and growing fan base.)

How am I connecting Black men in being violent in rap music to White mens masculinity?

David Ikard does it for me.

Ikard talks about Black masculinity using Walter Mosely’s books Always Outnumbered Always Outgunned in the essay “Like a Butterfly in a Hurricane: Reconceptualizing Black Gendered Resistance in Walter Mosely’s Always Outnumbered, Always Outgunned Walkin’ the Dog” which is in the book Breaking the Silence.

In the following quote, Ikard is analyzing how a character, Munford Brazille, in Mosley’s book Always Outnumbered, Always Outgunned,? has just gotten out of jail.? Brazille is trying to make sense of why he kept getting out of jail after continually committing? crimes. Ikard writes,

“I got in trouble again, and again they got me off. I kept on getting in trouble, and they kept getting me off. Didn’t wake up ’till I got to be nearly old as aI am now. Then I realized they kept getting me off because they [white me] needed a Munford Brazille. They need us.” Illuminating the link between black crime and white manhood Munford calls attention to how he was used, directly and indirectly by his white “benefactor” to secure the notion of white mens moral and masculine superiority over Black men.

Next Ikard connects Black men’s violence to White men’s masculinity when he writes,

By playing the role of? “bad nigger”- reckless killing other Black men- he unintentionally? reifies the man/boy, civilized/primitive binaries used to sustain white male superiority and to emasculate Black men.

Note: to reify something is to make it seem like its natural when it really isn’t.

For instance, Black men are NOT naturally violent (no one is) but if you look at media representations of them throughout history, you may be led to think that.

You ever wonder why it hurt Black men to be called “boy” by White men?
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Because historically the assumption about Black people during slavery is that they were incompetent children who couldn’t take care of themselves so they needed to be enslaved and looked after. #absurd.

Language makes power visible.

Ikard explains the history of what it meant to White men’s masculinity for Black men to be called boy and for white men to be called “master”, “boss” and “mister.” Ikard writes,

Socially these binaries were visible (particularly during the Jim Crow era) in the ways that white men would refer to black men as “boys” and “children” while demanding by force and law that Black men refer to them with deferential titles such as “mister,” “master” and “boss”…reinforced the paternalistic notions that white men were the moral and physical guardians of Black people. Without White guardianship, the thinking went, blacks would perish in “civilized” society.

How does this relate to rap music?

I wonder to what extent is the thugged out cat allowed to be the MAIN cat in mainstream rap music because it reaffirms White men’s humanity and masculinity.

Ikard quotes Munford saying, he basically kept getting out of jail because “Then I realized they kept getting me off they need a Munford Brazille. They need me to prove they human.”

Are the Munford Brazille’s in the rap game proof of White men’s humanity?

Why or why not?

Did I completly lose ya’ll?

Let me know.

Black Girl Rule #1: Love the People Who Love You Back

Eves Bayou

Today I saw an friend. An old school homie. A woman who knows me and my business AND my momma ‘nem business.

We don’t speak.

We have fallen out twice and I have decided to leave it be.

Its odd and awkward. But that’s fine. We grown. A little discomfort ain’t never killed nobody.? I would be lying if I didn’t say that it would BE NICE to be friends.

We have known each other since we were 18. We know hella people in common and have seen each other through some hard times. But if it don’t fit don’t force it.

I also saw another friend today who had a hard week. Her job is janky, her boo thang situation is janky and she hasn’t had the time to devote to her art.

Artist get some kinda way when they can’t work on they work.

Tonight I snapped at her. I was houngary. I turn into a little Black girl gremlin when I don’t eat.

I apologized and said that I know that she is having a hard time, and that my goal was to leave her feeling the same or feeling better, but not worse. I said that I take being her friend seriously.

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Yes, its sentimental and over the top but you know what, sometimes people need to hear that shit explicitly.

Often times it is knowing that someone Loves us that keeps going.

After she got off the train I realized that Black girl rule number one is to Love the people who Love us back. This means leaving the folks alone who don’t want to be bothered.

This can be a boo thang or a homie. Or and old friend who you have fallen out with twice.

You want to fuck up your self esteem? Chase after a negro man or woman who don’t want you? Done that. Im cool.

#BlackgirlsarefromtheFuturesotheydon’tdothatshitin2010.

You leave anyone alone lately?

You speak when you see each other?

Sometimes historical friendships be just that, history.