What’s the Difference Between a “Ho”, a Housewife, and Your Sister?


Nothing.

I woke up thinking about the way the women are put into categories and are ranked hierarchically.

For example, on any given Sunday in a barbershop, you can hear hetero African American men saying, “You can’t turn a “ho” into a housewife”.

Or on any given Friday night you can find hetero Black women saying “Girl, he wants a lady in the sheets, and a freak in the bed.”

I am sensitive to how women are put into the sexual binary (ho/housewife) than ranked as Loved/ain’t worth shit because I am currently in the thick of creating the arguments for a paper on Black women’s sexuality.

I am also teaching gender theory, so to watch how my students are either uncomfortable, or comfortable with being made aware of how they rank and treat others is enlightening.

In productive meeting with my boss last Wednesday  I said that I included a section on “Naming, Hearing and Seeing Black Women’s Sexuality” because “being read as deviant has fractured the space for Black women to discuss their sexuality.”

She then turned around and said she was going to contradict me. And while she did not contradict me, she forced me to see how powerful the word “fracture” was in that sentence.

By using fracture, I meant impacted and broken. She read it to say that a fracture does entail small breaks, but fractures create space, small spaces. And if a fracture doesn’t heal, like a bone, then it breaks completely; there is a big space.

I was like holy shit.

She then said that what I am saying is in many ways different from what twenty years of Black women scholars have been saying who have been talking about sexual silence, sexual taboo’s etc.

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She finally said that I was “reclaiming deviance.”

Context. In order for US chattel slavery to “work” Black women had to be described as subhuman and “natural” whores. We were lewd, lascivious and deviant.

I mean really, in order to enslave a woman, and her children, and rape her, and have her work in the fields picking cotton, slave owners had to figure out a way to make us “natural” whores.

While I know that in my day to day life, there is a reclamation of  “being deviant”. I had not idea that the shit was in my work as well. #Ha.

With regard to reclaiming deviance, I still didn’t know what she meant. So she used the example of how “Queer” has a history of being a derogatory term.

Light bulb.

I then said, wait the implications of this are huge because by saying this, it is almost like the “Slavery in the US benefited Black people argument”, you know the one about the “happy slave”. I also said that I am not comfortable defending that publicly.

She said that I didn’t have to be, but I should just think about my ideas of deviance and Black women’s sexuality and what that can possibly mean for my work.

It isn’t so much of being deviant, as it isn’t allowing white and black historical generated ideologies of what “proper Black femininity” (ho/housewife) looks like shape how I roll.

So, what’s the difference between a ho, housewife an your sister? Nuffin.

 

10 Thoughts for Black Girls Starting College This Year

This post is inspired by the work that @blackgirlproject is doing.

1. Meet with your professor to clarify your first assignment. Every professor is is different and you will get a better idea of what they asking for. They may be busy but this is your education to claim, they have theirs. As the first woman in my family to go to college AND as someone who is being trained to be a college professor. I know the power of such a meeting.

2. Never set your drink down at the party. Even with your best friend. It only takes one minute for someone to put something in your drink that can compromise your faculties. I don’t use the term date rape, because date softens the sexual violence of rape. However, in a rape culture you need to protect yourself and the culture needs to change.

3. If something traumatizes you, if you have a racist or sexist experience, tell someone preferably a professor or a therapist on campus. Keeping stories inside of you is harmful to your mental health. If you do not have your health, you cannot graduate. I had a hard first year with regards to my family during my first year at Mills. I went to a professor and let them know what was going on. Talking about it out loud helped. I had two part-time jobs and STILL earned a 3.5 that semester.

4. Make friends with girls. I know we are socialized to not like women. But your girlfriends will hold you down when your boyfriend/girlfriends/Lovers break your heart.

5. Send thank you notes to all the family members who do nice things for you while you are away. It means a lot to receive a call or a thank you note.

6. Party. I will never forget four of us packing into my homies BRAND NEW sentra and flying across the Bay Bridge to see the De La Soul show. We bonded that night. I did NOT say party all the time. I said party. Notice the distinction.

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8. When someone offers to help you with your career, thank them and take their card and follow up. I am not saying use people like a rug, because that is wrong. I want you to understand that college exposes you to social capital, which is just as if sometimes not more valuable than money. Access to people means access to relationships. Unfortunately, the world is such that people with institutional power may NOT talk to you if you do not know someone that they know. This is how institutional power works. I want you to understand it and have a language to describe it.

9. Keep a journal. It will help you process mistakes. Remember mistakes are assets.

10. Do not run up your credit card bill. Understand that higher education is a profit oriented system. The fewer loans you have when you graduate the more freedom you will have with choosing a career.

I hope this helps you little bear.

All the best.

To my readers, is there anything else that you would add to this list?

On Walking Out of Columbiana (I Walked Back in Too).

Young Cataleya in Columbiana.

The Wackness is the last movie that I walked out of.

The scene that triggered it was when the main character’s dad gave the going off to college advice of, “Try and fuck a Black girl.” Yeah. I was all set on those.

Last night Goldy and I went to see Columbiana. I don’t read movie descriptions. I like to just go and peep the narrative, get lost in it if I can. I knew Zoe was the star and that was enough.

So the film opens and there is a little Black girl subjectivity, her perspective. Now I knew that this character was awesome because Joan Morgan mentioned it on twitter earlier this week.

I had no idea.

For the first time in God knows how long, there was a little Black girl on screen who was bad assed. She wasn’t a victim. She was a fighter and she wanted to survive.

And she wasn’t bound up in 5011 pathologies. Well. Sorta.

There were tight close up shots of her that centered her big old almond eyes.

She moved like a ninja.

Shit, you rarely see women of ANY race on the silver screen move like that, let alone a little Black girl.

Nearly ten minutes into the film the child has made up her mind, and these are her words. She states, “I want to be a killer.”

I get it. The irony that a little Black girl wants to be a killer.

But No.

And you know why? Two reasons.

Violence is real for Black girls. My homie was just walking on U on Friday with her lady friend, and had bugged out homophobic shit said to her.  Violence and the threat of violence is real everyday for Black girls. Now she is talking about packing mace. I don’t blame her.

The second reason is that we die inside if our stories don’t come out. For instance G-Dep, Bad Boy “Special Delivery G-Dep” walked into a police station last December and confessed that he murdered someone 17 years ago. 17 years? You can’t walk around with shit like that on your heart B. Nope.

You know how many stories killers have? #Ummmph.

Would I have been just as disturbed it were a White little boy in the film as well. No. Why? Because there are ranges of films that are released that tell stories about White boy children.
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A story where one wants to grow up to be a killer would be out of pocket, but because there are a range of White boy children stories, it is just a part of a broader mix of options.

Black girls. No.

So I thought, this is what we have to do to get on the screen. Say that we are going to kill? #ummp. I walked out.

While trying to decide my next move, I got roped into helping this young Haitian man do his Neilsen survey for the new Sarah Jessica Parker film “How Does She Do It?” It was so funny because halfway through I say to him, “This data is really irreverent if you don’t collect my race.” He responded, “Oh, I have your race.”

O.0

I was like, in that case tell the Neilsen people that there are “No Black people in that movie, so no I do not believe a New York with no Black folks. AND tell them the film looks like Sex in the City Part 12. And NO to that too.”

He chuckled.

Then Goldy texted me saying “Woman, this is $22, I didn’t come to the movies alone.”

I took my ass back to the theater.

I rooted for Zoe.

The film was well done.

The story telling kept the narrative going.

It was just seeing a little Black girl say “I want to be a killer” that blew me.

For writers, every sentence moves a story along. For fillm makers every scene, every bit of dialogue moves the story/narrative along.

All I could think was, why couldn’t they move that story along without having her say THAT?

Did you see it?

What do you think?

Is it problematic that Black girls have to want to be killers to get on the silver screen?

I Am Still Here.

New things are on the way. NMM 2.0.  Link pages and thangs.

The brown girl policy blog is in the pipeline. Shout out to everyone who as gotten at me around participating.

The New Model Minority book is in the pipeline as well.

The school year has begun. And I am tired. Gone to sleep before 9pm for the last two days.

Comps are over.

I am alive.

I miss ya’ll.

#allcity will be back soon.
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In the mean time, what do you want me to write about?

On Dealing With Your Exes in Social Media Spaces? o.O

Beyonce’s Baby: On Our Investment in Black Women’s Babies

Black Maids: On “The Help” and the DSK Rape Case

White Groceries

Dance Floor Politics: When Your Old Boo Meets Your New Boo? (Yas…this happened post comps last week).

Roundtable on Black Male Relationship blogs (I asked Britini @ Clutch if she was interested….I may just do it here on this blog if she chooses not to. Or perhaps we can do it @ racialicious or crunkfeminists. I dunno).

Is there anything else that comes to mind?

Author Martha Southgate on Why the Film “The Help” is a Symptom of a Larger Issue: My Thoughts.

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In entertainment weekly, one of my favorite authors, Martha Southgate (@mesouthgate) discusses the film “The Help” stating that,

There have been thousands of words written about Stockett’s skills, her portrayal of the black women versus the white women, her right to tell this story at all. I won’t rehash those arguments, except to say that I found the novel fast-paced but highly problematic. Even more troubling, though, is how the structure of narratives like The Help underscores the failure of pop culture to acknowledge a central truth: Within the civil rights movement, white people were the help.

I would say that she certainly has a point there. And, given the fact that I am swimming in readings about women in the civil rights movement, at this VERY moment, I am particularly sensitive to claims about women during the civil rights movement.

White people did play a substantial role in the civil rights movement.  However there were incredible tensions in the civil rights movement because “women” were seen as the help. Looking at how gender played out in the civil rights movement in fact may poke more holes in Sockett’s narrative. For example,

  • Many White feminist wanted to organize under the auspices of women united for solidarity but did not want to acknowledge the differences between women. See Benita Roth’s “Separate Roads to Feminism.”
  • Stokley Carmicheal, of the Black Panther Party alleged that the best position for a woman in the BPP was “prone.”
  • There were some White feminist lesbians who felt that engaging with men was apart of the problem so becoming separatists and living amongst and supporting women was the solution. See Radical Sisters: Second Wave Feminism and Black Liberation in DC.
  • Here is a link to Assata, Angela Davis and Elaine Brown discussing how sexism impacted their work with the Black Panther Party.
  • Black women played a prominent role in organizing the March on Washington but they were not allowed to SPEAK at it.

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I by no means intend to conflate the Black Power movement with the Civil Rights movement. They are overlapping yet distinct in tone and intent.

However, I wanted to bring the issue of “Women” to bear on Southgate’s article on the film and book, The Help.

Here is her excellent closing paragraph, which actually upended me from my reading ABOUT women in the second wave and compelled me to write this blog post. She writes,

This isn’t the first time the civil rights movement has been framed this way fictionally, especially on film. Most Hollywood civil rights movies feature white characters in central, sometimes nearly solo, roles. My favorite (not!) is Alan Parker’s Mississippi Burning, which gives us two white FBI agents as heroes of the movement. FBI agents! Given that J. Edgar Hoover did everything short of shoot Martin Luther King Jr. himself in order to damage or discredit the movement, that goes from troubling to appalling.

Why is it ever thus? Suffice it to say that these stories are more likely to get the green light and to have more popular appeal (and often acclaim) if they have white characters up front. That’s a shame. The continued impulse to reduce the black women and men of the civil rights movement to bit players in the most extraordinary step toward justice that this nation has ever known is infuriating, to say the least. Minny and Aibileen are heroines, but they didn’t need Skeeter to guide them to the light. They fought their way out of the darkness on their own — and they brought the nation with them.

·Southgate’s fourth novel, The Taste of Salt, will be published in September.

By centering White women as actors in the civil rights movement, we mask, hide and erase the work of Black men and women, and we negate the ways in which WOMEN were treated in many instances like “The Help” in Black and white organizing circles. #Ummhmm.