Single Ladies, Nasty Bitches and Interracial Hoes

The sexual contradiction in American culture is both pervasive
and powerful.

While doing research on Latina teen pregnancy last week, I came
across a narrative
where a young woman said, “I heard that, If my
boyfriend smoked weed before
we had sex, then I wouldn’t get pregnant.”

I thought, wow, she is really serious. We have very little healthy, teen based
sex ed, yet our pop culture land is dominated by songs about sex.

I Wanna Fuck Every Girl in the World
Birthday Sex
Lol Smiley Face

The contradiction is interesting and dangerous.

It’s dangerous because, the combination of little teen sex ed,
pervasive pop songs about sex, and abstinence ONLY funded
sex ed in the schools systems leaves our young men and women
with limited information. Limited informed people make awful choices.
(<<<-- I sound like a sex ed expert, no?)
Which brings me to my Black Sexual Politics class. On Monday some students
did a presentation on Pat Hill Collins’ book of the same title.

For the class we also read Audre Lorde’s The Uses of the Erotic.

The student presenters also played a Lil Kim video for the song
How Many Licks.

In the video, Kim is pussy, dick, female orgasms etc.

My professor pointed out that in comparison to little Kim’s
video, Beyonce’s Single Ladies video looks tame. So I checked
out her VMA performance,
and it was confirmed.

3 women, dancing in a leotard, not that risque. The most provocative aspect
of her performance is the costume. Tight and sprayed on. It looks like
she is doing Black Broadway Showgirls routine, which I imagine is
what she intended.

Historically, Black women were not allowed to BE Ladies. Jezebels,
Mammies, Men, Welfare Queens, yes, but ladies. No. So given

that this is a part of the title of the song isn’t lost on me.

Lets take the Ciara video posted above. This video moved me largley
because of the element of female desire that is present.

The whole time I was watching it I thought, what is this woman
going to do next?

Ciara licks Justin’s ear, 30 seconds in. Kamagra 100mg engages in hard erection to men who are not as satisfied with their sex lives generic viagra without prescriptions like they were in the past. You’ll get backlash and that’s not what they’re sildenafil online no prescription there for, it’s engaging. Buyers have the opportunity of accessing devensec.com on line levitra quality and reliable solutions. * The jelly works effectively and can make your erection last for many hours* The results will start showing 20 minutes to one hour after consuming it. Like the others, the peptides manufactured by the cells of the heart can cause levitra best price prevalent changes with in heart tissue and strengthen of heart chambers. When was the last time you
saw a Black woman do something
sexual TO someone else in a music video?

We don’t.

Audre Lorde says that,

“Pornography is a direct denial of the power of the erotic,for
it represents the suppression of true feeling. Pornography emphasizes
sensation without feeling.”

Online Black folks had a fit about the Ciara video. The fact that Justin was white,
bothered them. They thought she was being a hoe. The chain also bothered them
and in some ways took them back to slavery.

Folks over at Soul Bounce had an interesting roundtable discussion
about the video. They initially wrote a post titled, “How Can Justin Timberlake
Continue to Get Away with Fetishizing Black Women?” Implicit in this
line of thought is that it is permissible for Black artist who work for White
corporations to do this, but not a White artist.

My response to this line of thought is a few questions:

1. Where is Ciara’s agency in this line of thought?
2. What happens when we stop seeing Ciara as a victim?

3. Where is the critique of rappers and they “50 million hoe’s” in music
videos?

Then they came back and did a roundtable with had a more
nuanced discussion.

Peep the comments section.

Its interesting to see people struggle with race, sex and capitalism.

In some ways, what wasn’t explicitly stated is that the video is powerful
because we see a Black woman being sexual, and because this is so rare
we don’t know what to do with the feelings that arise when we see it.

Black heterosexual sex is everywhere and nowhere in pop culture.

According to the dominant Black narrative, it is okay for us to
walk around asking for *patriarchal fulfillment, (putting a ring on it)
but for us to express sexual desire, or even the erotic, we are automatic
hoe’s.

Sounds familiar? It is. The difference today is that WE are making a connections
and pushing back.

*No, all marriages do not constitute patriarchal fulfillment, however
her body of work is about getting men to do shit for her, pay bills, be a solider
etc. We all know that, in that this notion of Black male masculinity is
patriarchal and limiting. A man, a person, is more than their paycheck.

Katie Blancita, this one is for you Little boo.

Black Sex?

Single Ladies?

Sex Culture with no Sex Ed? Thoughts?

The Futility or Perhaps the Profoundness of Whiteness

I searched for a Black and White image. I found Bobby K.
You know I LOVE Bobby.

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Blackness can only be understood in terms of Whiteness.

I came to this conclusion after reading Elsa Barkley Brown’s

She writes,

We are likely to acknowledge that white middle class women
have
had a different experience from African American, Latina,
Asian American,
and native American women; but the relation, the fact that
these histories
exist simultaneously, in dialogue with each other, is
seldom apparent in
the studies we do, not even in those studies that perceive
themselves
as dealing with the diverse experiences of women. The
overwhelming
tendency now, it appears to me, is to acknowledge then ignore the differences
among women.

Barkley Browns general argument is that we can only
understand Black women’s history if we look at White women’s

history because the two require each other to work.

Whiteness ONLY works in relationship to Blackness.

This kinda shook me up.

Because I believe this to be true, I am struggling with

the Sociology readings that I have. Shit, its even hard for me
to read news paper articles or even to have conversations

with people about race.

Because a conversation about Blackness without mentioning Whiteness can

only be half right.

In the same way that a conversation about Hip Hop without mentioning capitalism

can only be half right.

Much of the discourse around race treats Male Heterosexual Whiteness

as the norm and everything else deviates from that.

Part of my ideas around the futility of Whiteness stems from reading work

by Black people, about race, that either implicitly or explicitly ask’s

for White folks to see our humanity, to include us.

I arrived as an intact human in East Oakland over 30 years ago.

Whether or not a group of people SEE or validate my humanity is none

of my business.

I haven’t always been this way. Growing up in East Oakland, it was difficult

to remain an intact human being, especially after the crack epidemic.

Having just started graduate school, it has become clear to me the

ways in which my education has played a role in my ability to remain

intact because many of us don’t make it and we simply charge it to the game.

Its difficult for any one who isn’t a White Heterosexual Male (WHM) to remain intact,

because both our laws and our mainstream culture presume that WHM is

the norm.

This norm in our society is reflected by the need to have a Civil Rights Movement,
a Women’s Rights Movement, a Gay Rights Movement, an Equal Opportunities
Council Commission
, a Civil Rights Bill and Health Care Reform.

All of this brings me to a conversation I had on Twitter Friday with, @BlackNerds

about saving hip hop.

Normally I don’t respond to these statements, because most likely

they prove to be futile. But I engaged and I am glad I did because I made a

connection that I hadn’t seen before.

I asked him:

Saving hip hop from what?

Why is there such an investment in it?

What does it mean to “save hip hop” when most artist want

Black kids respect and white kids money?

As a result of our conversation, I then tweeted and this the important
connection that I made. The tweet said, “In some ways, I
think our
desire to like hip hop is
connected to our need to have White folks
recognize our humanity.”

I am still working this out. What I do see today, is that both instances
involve looking
for validation in places that have clearly stated they it
has not, and will not
be offered. It can be struggled for, but it will
not be handed over. To struggle for it, would mean a new society.

You see the connection between Blackness and Whiteness?

Why is it so hard to accept that Rap music is now a tool to sell

products?

Why do we want to save it so badly?

It feels good to be back. Thank you for reading.

About A Book

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This is a post about a book.

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