Get Back


Thank you to everyone who filled out the survey.
I had no idea how responsive and affirming the feedback
would be.

M.dot will be doing them once a quarter. The findings are interesting:

82.4% of you want me to write more about politics

64.7% of you said that you would listen to an M.dot podcast
depending on how good they are.

There were also some comments that I found particularly interesting.
I have provided excerpts below.

“Love your commentary on women, because it is something that I rarely understand. If you talk about hip hop make sure to include those songs in podcasts. I also love the talk about other topics that seem so distant but you somehow tie together using your random collection of data. Gotta love tieing together information. Yessir.”

fuck us. talk bout what you want. as epmd said “dont give the people what they want”. Also, it has been observed that few alcoholic people take the treatment of sildenafil jelly, as excess amount of this pfizer viagra tablets medicine may cause health issues or penile surgeries also. Researchers have proved that the opacc.cv cost low viagra has assisted men to enhance their performance at the time of sexual intercourse. This protein does not permit the blood to stream easily in the male organ and causes tadalafil no prescription the issue of brokenness. If you wish to gain back the lost order cialis overnight confident in a male. give them what they dont know they need. besides that, fuck other peoples opinions. where would any good journalist, musician, whatever be if they did?”

“The cogent stream of consciousness posts & hot linx keep me hitting up your blog. What’s your view on the non-profit industrial complex that’ll likely end up employing me out of college?”


I am glad that you all like it here. In many ways your comments
came at a time when I am in the midst of a meaningful transition
and I am grateful for the kind words.

So, if you will excuse me. I have to go work on a podcast. *****Wink.

~m.dot

Malcolm, Martin and Personal Transformation


Martin’s and Malcolm’s public transformation should be an
inspiration
for all of us. I have spent the evening reading
Martin & Malcolm in America
by James Cone, trying to
determine exactly what I would like to say on Malcolm’s birthday.

Just when I was getting tired, frustrated and ready to give up,
I came across a chapter where Cone describes Martin’s
transformation
in the midst of Malcom’s death, and the ways
in which Martin was moving closer to Malcolm. Cone writes,

Equally significant was what Martin did not say. He too was
re-evaluating his presuppositions and was moving toward a
greater understanding of Malcolm, especially regarding Black
pride, separatism, and white America’s lack of commitment to
genuine Black equality. He began to urge Blacks to be proud
of their “blackness,” a word he almost never used publicly
before he turned his attention to the North. The subsequent
rise of Black Power deepened his convictions regarding the
need of blacks to affirm their somebodyness in identifying with
their African heritage. Once you have a script from your doctor, you can also try discount tadalafil out herbal supplements. Getting the endorsement from your health advisor is the best solution for diabetic erectile dysfunction. viagra buy australia Spammers do this because http://appalachianmagazine.com/category/featured/page/41/?filter_by=popular cheap viagra obviously they do not want to show their partner. Kamagra for Quick Results in Bed The effectiveness of these oral drugs Kamagra acquisition de viagra has been tested over the years and across all age groups. He also started to speak of Black
oppression in northern slums as “domestic colonialism“.
To the surprise of many, and perhaps even himself, he
concluded that racism was so deeply ingrained in American,
especially in the North, that “temporary segregation” was
probably the only means of overcoming powerlessness in the
Black community.

As artists, thinkers, women, men, feminists and lovers of hip hop we
we all feel the tension between the desire to go corporate and the desire
to pursue work that is related to creating social justice.

This issue is the subject of endless conversations in our lives.

For instance, last Saturday I noticed one of Filthys people in a magazine.
I tore out the article and gave it to him saying “I have something for you”.

He looked at it and laughed, but soon became melancholy
and I asked why.
He mentioned something about his boy’s desire to succeed in his
career.
I responded saying “Yo, he is just trying to shine, ain’t nothing
wrong with that”.
He shot back, “Shining, is all he is trying to do”.

I was deaded because he was right. There was nothing I could
say because it was true.

That interaction left me thinking about the choices that we
make in terms of using our voices on the behalf of others who
don’t have one. How we, on a daily, struggle between the notion
of getting cake and the notion of creating justice.

This post is for those of us, who leave the corporate ranks to
pursue writing. Those of us who work as waitresses, teachers,
bus drivers during the day and make music, paint and sew at night.

This is for those of use who go to law school, and rather
than practice, we decide to to do power to the people and
organize our communities. This post is for those of use who
are torn between the corporate hustle
and the independent artist grind.

This is for those of us who are committed to transforming
a little
every day.

Dysfunctional Ping Pong

I like Judd Apatow. In fact, I think it was a year ago that I wrote
about how he convinced me that I should
do stand up.

I have written about him here, here and here. I thought about this
while reading Brandon Soderberg’s post
on how Judd doesn’t
like Hip Hop.

On one level, I enjoyed the fact that Soderberg’s post was analyzing how hip
hop was being used as a vehicle to allow Apatow’s largely white characters
express their vileness at the expense of hip hop.

On another level the post was incredibly misogynistic. I will deal
with the two issues separately.

Soderberg’s general thesis is the Apatow uses hip hop as a vehicle
to allow the characters to express the most vile things about
society which implies that this is what hip hop represents in our
culture. He cites a Apatow’s use of hip hop in “Walk the Line” and “Knocked
Up” and “40 Year Old Virgin” as evidence. Full disclosure, I haven’t
seen “Walk the Line”.
He writes,

Recall the intro to ‘Knocked-Up’ which uses Ol’ Dirty Bastard’s classic ‘Shimmy Shimmy Ya’ (Armond White: “white boys clowning to Old Dirty Bastard?s ?Shimmy Shimmy Ya?) with emphasis on Dirty’s “Ooh baby I like it raw” hook to make it really obvious and funny what this movie’s already going to be about. Think of the constant hip-hop slang used by everyone but Steve Carrell’s character in ‘The 40 Year-Old Virgin’ and how it’s essentially used to represent just how vulgar and crass everyone’s become and how stupid white people are for adopting any part of this culture.

He also goes on to write that,

In the Apatow and company universe, which is one that despite all the blowjob and weed jokes is incredibly conservative- dumb critics say this is why his movies “have heart”- rap music and culture are one of the biggest signifiers of how low things have sunk and how distant people are from their “real” emotions: Rap as ruiner of everything.

I think that the situation is a bit more complicated than that.

I would argue that the vileness ( hyper violent masculinity, hypersexuality)
in hip hop started off in mainstream society, was adopted by minorities
and is reflected in hip hop. Furthermore, it is being used by Apatow via the
characters in his movies to express dysfunction, albeit flippantly.

There is a tendency to seperate the pathology of the mainstream from
the pathology from the hood, however, at the end of the day they will
always be connect.

It is one big dysfunctional ping pong game.

Now for the misogyny. You can be popping hard-ons left and right together with absolute alleviate with the right male enhancement vacuum pumps with these tips: Know the technology: Understand the technology that the manufacturer promises you when you female viagra in india are looking at the model. The same working medicine you will get in cheap viagra order shop purchased that for Pfizer has lost the patent over Sildenafil citrate. Cardiovascular diseases are usually treated by vascular surgeons, cardiologists, thoracic surgeons, neurologists, and interventional buy generic levitra radiologists. You can order levitra online http://www.opacc.cv/documentos/Manual%20do%20Curso%20Profissional%20de%20Contabilidade%20e%20Fiscalidade.pdf be relaxed by the herbal treatment. The misogyny is there period point blank
and it sat there glaring at me. In the following excerpt, Soderberg
intended on describing how hip hop is used as story support for
a scene, and that unlike country music, it isn’t presented with
empathy. He writes,

Leslie Mann’s bar-slut in ‘Virgin’ is speeding home, too drunk to drive, blaring and singing along to Missy Elliot’s ‘Get Ur Freak On’, which is sort of real- drunk white sluts love Missy Elliott- but it’s sort of the icing on the cake for why this girl’s so terrible. It’s not presented with any of the sympathy given to a whiny loser who collects action figures, rides a bike, and hasn’t ever dropped his dick in a pussy.

While his intentions were to point out the discrepancy between
Apatow’s treatment of hip hop versus country I couldn’t help
but notice that the term slut was used not just once but twice
in the same sentence. Was that necessary? Was he trying to be
provocative?

The second thing that stood out to me in that paragraph was
the phrase “and hasn’t ever dropped a dick in a pussy”.

What? P*ssy’s arn’t sitting around like ashtrays waiting to receive
a deposit. A p*ssy isn’t a garbage can, basketball hoop or an ATM
machine waiting for a deposit. P*ssy’s are attached to people.

These people are women.


Hello Brooklyn


I woke up in Brooklyn this morning.

It fit me like a pair of leather turquoise ballerina flats.

Perfect.

I have come to the conclusion that the reason why
this place suits me is that it serves as a mental buffer as I
am a person who thinks, lives and breathes on the margins.

My thoughts and views are not mainstream. I mean, the blog
is named Model Minority for a reason.

When I am talking race with a white person, or Black masculinity
with a woman, or “welfare reform” with a Latino Libertarian,
many time I depart these conversations feeling like I am on the
margin of the margins. It can be a lonely place.

However, I am not complaining, in fact, I think that is why Bk’lyn
holds me down the way that it does.

For instance, I was on the 3 train this morning, and all 35 people
on the train were Black. EVEN though, many times, my thoughts,
politics, and beliefs place me in the margin of the margins,
In that moment, on the train, I am not on the margin of the margins
and it isn’t as lonely.

Speaking of Brooklyn. Last night I was walking on Fulton with
Filthy and we got the bugged out ice grills from the older Black men.
Normally he doesn’t notice, but this time, it not only struck me,
but him as well.

I pointed that when I was here last, that we were walking around,
and that didn’t happen. But he reminded me that we weren’t in
the hood, we were downtown and in Fort Green which of course, is a
different animal.

The other side of it is that folks smile at us. On two occasions
yesterday at the MOMA, women smiled at us. I imagine that we
are a sight
. Asubstituteroute is to execute a http://www.midwayfire.com/awards.asp viagra prices five or six year vascular surgery residency. Few essential check points would help in causing an erection. check for more info cialis soft Hence, it is imperative that you should look at using a blend of Propecia and Rogaine Foam levitra australia for the most effective results. 4. So, never leave untreated the ill-effects of self-stimulation to avoid the side effects take it as it is favorable and immensely supportive with all uk levitra work on impotent aged male. Me with my tight jeans, bucket hat, and big green
earrings, he with the train conductor jeans, apple hat and country
@ss accent, an interesting mess.

We all know that I am already paranoid. Now being out with a white
dude will add an extra layer of “Did he/she just say that to me
because I just walked into this bodega/restaurant /Banana Republic
with someone who isn’t black?”

For instance, we stopped inside that pattie place on Flatbush last night.
The server was taking his sweet time to give me my food, and when
he handed me my change he dropped my coins. I was like is this is
this how its going to be? Black men doing little sh-t to irk me in public
because they disapprove?

Filthy pointed out two things. The first thing was that that on
its, face it may seem like the cashier was trying to disrespect, but he
wasn’t very friendly to the customer just ahead of me, so he just may be a
grumpy @ss to everyone. But, once I got outside, I tasted the
pattie and it was all warm, good and full of vegetables.
The second
thing that he pointed out was that while he was taking is time,
it could be indicative of him trying to hook me up with the proper pattie.

So. In the end, you never know why people do what they do.
The most important thing, I am coming to understand is that 70% of
what people say and do to you has nothing to do with you. Nothing.

How do you avoid taking things personal?
When was the last time you took something personal?

The Knowledge

Knowledge, Wisdom and Understanding are beautiful things.
With that in mind, I request that you fill out this tiny, short,
sweet,
survey. You all KNOW how I feel about feedback.

I LIKE feedback.

I also know many of you are at work, school and busy
parenting, so I kept it short. I know, moi, keeping something
short?!?!?! Here is the survey. Will take you 90 seconds, max.

I promise.

Click Here to take survey

I have been meaning to share this editorial with you
about Crack. Its Toure’s piece in The Times about the
crack house on his block, titled A Snitch Like Me. He writes,

ONE hot night last summer, just past midnight, I discovered that in the apartment building across the street from my duplex in Fort Greene there was a little crack house.

I was parking my car after a late movie, the windows down because my air-conditioning was broken, when I heard a man and a woman arguing on the sidewalk. I didn?t know them, but they weren?t new faces to me. This medicine is http://djpaulkom.tv/dj-paul-kom-you-know-where-im-goin-official-video/ order generic cialis recommended for men suffering from impotence. It has been clinically proven and reported to be effective on about 70% males’ health. djpaulkom.tv generic cialis online It helps men to last longer by improving the stamina and enhancing the sex drive that levitra australia prices djpaulkom.tv are needed during sexual intercourse. They have better penetration levitra 10mg and erections. In the four years I?d lived in the apartment on South Oxford Street, I?d walked past them many times. They were constantly moping around the block with glassy eyes, scratching themselves, and muttering. Any New Yorker could tell they were crackheads.

I never gave much thought as to why these two crackheads were on my block so often. Some days in Fort Greene you walk past celebrities like Adrian Grenier or Colson Whitehead or Mos Def. Some days you walk past a crackhead.

Some days Mos Def. Some days a crack head.

That sounds like the hood to me.