Pimps, Ho’s and Chris Brown


It happened on Sunday. The news first broke.
I was on Twitter,
reading messages about The Grammys,
with the TV turned off, when someone wrote a tweet saying,

“Looks Like Chris Brown put his Pimp hand Down on a Ho.”

I unfollowed the person that made this statement.
And continued
about my business. Then I thought.
That’s odd, why is Chris Brown beating on a woman,
and isn’t he dating Rihanna?

Then I learned, via Twitter, that Rihanna canceled her
Grammy performance, and of course, unless you have
been under a rock for the last few days
you are aware
of the news, rumors, speculation, surrounding

what happened to them during the early hours of
February 9th.

The details of what happened between them are
not as interesting to me as what our response to
him allegedly beating her says about us.

Clarence Thomas.
Bill Clinton.
Elliott Spitzer
.
The Duke Rape Case.
R Kelly.
Imus.
Mike Tyson.

Now this.

When race, sexuality, violence, power and gender combine with
pop culture
it has a tendency to force us to choose sides and
our thoughts about the aforementioned
issues are laid out
for the world to see.

I grew up in a house where The Mack
and Sparkle were dubbed onto the same
VHS cassette
tape. I grew up in a house where adult family members
watched
The Mack and pointed out streets and family
friends who played extra’s in the
movie.

That being said, I have been exposed to the world of
pimping as an every
day, largely uncritizied, acceptable
phenomona
from a young age.

There is something frightening about the ways in which
some folks have uncritically accepted and tried to explain
away what he has allegedly done. “He is young, he is a good
kid
.” But then again, we have done the same thing with pimping.

What does our unwillingness to criticize both Chris
and Hip Hop/ R & B say about us? Is R & B and Hip Hop our Daddy?

The tendency to explain away Chris Browns alleged
behavior reminds me of the habit within the hip hop generation to explain
away hip hops misogyny, with out fear sounding incredibly hypocritical.

The things that we listen to shape our world
.

In the same way that many people, both Black men and women
felt that Chris allegedly beating her is an acceptable response
to finding out that she allegedly gave him herpes.

Many of us were raised getting spanked or whuppins by our
parents. Our parents loved us, but they were also beat
us as a form of discipline. Consequently there are many of us
who walk around scared and violent
because our parents beat us.
Some of also think that it is normal for a person who loves us, to beat us.
There are many of us who cannot connect intimately because
of our fear of being hurt. This is the legacy of violence.

Many of us conflate being hit with being loved. They are not one
and the same. Being hit constitutes abuse and violence.
Period. End of Story.

Which brings me back to The Bay and pimping.
The Bay Area is notorious for its reverence for pimp
culture and it shows in our music.

I am a firm believer that we use language to organize
how we relate to
one another in the world. I was
reminded of the danger of normalizing pimping when
I read
the following passage in Taking Back God American
Women for Religious
Equallity by Laura Tannenbaum. She writes,

…inclusive language is needed because words and the images
they evoke, have the power
to shape our attitudes: male dominant language creates and reinforces a hierarchical order in which women are regarded as subordinate; words indicate our basic belief and assumptions about ourselves, about others and about God.

The pervasive use of the term pimping serves to normalize
the expression of hatred towards women.

Pimp my ride.

Pimp Juice.


Pimp my myspace profile.

P.I.M.P.

Big pimping tells me a lot about what I need to know
about how women in general and Black women
specifically
are perceived in our culture.
There are some of us in the Black community that feel that
some women deserve to get beat for their behavior. This is exemplified
by the tendency in Tyler Perry Films for a woman to be slapped or
beat
, and for the violence to go unaddressed in the film.

Which leads me to ask a few questions. How can a culture have
such pervasive reverence for pimps and Black women in the same
breath?

Have you seen a pimp beating a woman? Have you encountered
a young
woman who thought her pimp loved her? I have, and
it is a heartbreaking
sight. Where is the humanity in this treatment?
Furthermore, not only is it heartbreaking, but I found nothing
entertaining about her life
. In fact it made me feel powerless.
The documentary film, Very Young Girls, by
David Schisgall about
13 year old prostitutes, illustrates the vulnerability of young women.


I was not surprised when a friend told me yesterday, (a friend
who
said he was being a feminist because he felt that under
no circumstances should a woman be beat) that he was
surprised that women
defended Chris Brown’s alleged
right to hit Rhianna, if she did in fact have an STD.

I stay away from the “Men shouldn’t hit women” logic because
if you believe that then what stops you from saying that men
can do things to woman
“Because she is a woman.” That
logic goes both ways
.

I responded to him saying why should you be surprised,
why should women
be any less patriarchal then men? He
mentioned a previous conversation where we concluded that
misogynistic parents raise misogynistic children. That being
said, there are some women who think that violence is a
reasonable response to certain situations.
My reasoning is that
we only know
what we are taught and when we know better we
(presumably) do better.
I contended that both Oscar Grant and Rhianna
are human beings, and thus deserve to be treated as such.

To get into “women are more fragile, men are more strong,
some women
are stronger than some men” is some part to
whole reasoning, that only serves to mystify and obscure
the issue at hand, which is that every person is a human
being and deserves to be treated as such. Skin of the avocado may lead to cardiac distress and heart failure in generic viagra pharmacy certain bird species. Androgen’s is known to be the basic ingredient generic levitra cheap http://valsonindia.com/portfolio-items/cotton-yarn/?lang=sq that makes up the wall of arteries. So, it may be http://valsonindia.com/media/?lang=it cheapest viagra, the effect of it will be 100 and onwards. The natural aphrodisiac Safed Behmen improves functioning of nerves and cardiac system. on line cialis valsonindia.com Violence is not the
way to go, be it the male or the female as the initiator.
Period. End of sentence.


Let’s be clear. I am not writing from the inside out.
I come from a place that stipulates that you shoot first and
ask questions
later. If you think I am lying see the Oscar
Grant Riots five weeks ago.
I am talking about myself. I have
the strong urge to stick people with hot thangs when I feel
that they have wrong me. I also know that rage is destructive.

The issue of how to articulate responsibility between men
and women
fighting in public is a hairy one. I have written
about that here as well. In fact, it was almost exactly a year
ago to the day that I wrote, “Domestic Violence, What Would
You Do?” where I mentioned a discussion with
my brother about how he decides whether to get involved if
he sees a woman being assaulted in the street.
Powerful stuff.
My general stance is that oppression is oppression
and the no one
should be beating on anyone else.
Period
. End of sentence.

It seems that many of us are trying to make a connection between
Chris Brown’s alleged beating of Rhianna and our personal lives.

I read a post today by Jozen Cumming about Miles Davis and
Chris Brown.
I was reminded of my Patriarchy and Mobb Deep essay
when
Jozen, tries to reconcile what it means to listen to
and enjoy Miles’ music
knowing full well that he unapologetically
beat Cicely Tyson.
Jozen, splits hairs and ultimatly concludes
that the
man is not his music. He writes,

What I learned with Miles Davis is that my loyalty is not to
the man but to what the man created. As a matter of fact, I
don’t even know who he really was except for what he told
me in his autobiography. So why would I write off the very
thing he’s made for me (his music) to enjoy simply because
outside of his job he was (from what I read) a complete jerk
who gave the world the middle finger?

For me. The music isn’t just about the the artist or my enjoyment,
but about what
our young people are learning about what is
acceptable behavior in
relationships.

For me, fucked-up teenagers make miserable, and many times
addicted adults.

This awful incident gives us an opportunity to think about how
violence against women is normalize thorough our casual use
of the
term pimping to describe everything from actual pimping
to the act of making a car very attractive.

I hope that we can see the ways in which our response
to Rihanna’s alleged assault shows us who and what we value,
and the role that tolerated violence plays in our relationships.

Your thoughts?
I’m sure you have one or two. Big {Teef} Smile.

Black Women, Property Twice



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(Video of an Altercation between Black Israelites
and some Black women passerbyers.)

About a month ago I was sitting in a Professors office explaining my
research interests (labor, sex, Black women), how I was working
on a theory of how Black Women are Property Twice. He listened,
became agitated then finally
said, “I really don’t like when people
try and connect slavery
to things going on now, there is no data.”

In the conversation, I was trying to connect the Video Vixens to
Venus Hottentott (word to Dallas Pen) and he was like, NO.

Property once, property again.

The Professor agreed that hip hop was global, but felt that
the Vixens
constituted a minute part of the hip hop equation.
Really. All I could think was, have you seen BET lately?
Uh, okay.

I looked at him and continued talking to him and thanked him
for sharing what I would imagine would be a critique of my work.

I was reminded of this experience when I stopped in Barnes and Nobles
on Saturday and read that Charles Johnson has been critiquing
Toni Morrison, saying in so many words that “she needs to stop writing
about slavery.”

Funny, I don’t think Johnson could fix his lips to critique Holocaust
scholars, and say that they need to stop writing about.

Again. The message was, “no slavery talk, people.”

Later Saturday Night
I went out Saturday Night and my experience made it clear to me
that I, and arguably many black women, and perhaps women in general
have been trained to
tolerate being touched in non consensual ways.

A friend of mine who is a DJ had invited me to three things in the
last month. He sent me a text regarding an event that was by my house,
so I decided to go.
I have been under a rock for the last 6 weeks.
So this was special.

We both LOVE boom bap, and I knew he would be surprised to see
me, as I saw him last June of 2007, so I figured it would be a nice
break in my routine.

So I am there, rapping along to Black Moon, or Ghost or CL
and this dude grabs my wrist and I unfurl his fingers from around it.
A little bit later, and he does it again and I almost flipped out on him.

I remember that historially, I would take my thumb finger and stick
it into a dudes hand if he ain’t get the picture. In many ways,
it was a small act of resistance.

The more I thought about it, I realized that him touching me was
typical dancefloor behavior that many of us
have been subjected to since we first started going out.

The second time he grabbed my wrist I was reminded of going
to a party in the Bay over Christmas break, after my first semester
of school in New York. I wasn’t even 21 yet.

The party was in Hayward, and was typical California in the
cut hood ish. I remember dancing with this guy, and he kept rubbing
on my booty. I don’t remember how I stopped him, but I remember
him saying, “If I can’t get my feel goods, then I ain’t dancing with
you“, and he walked away.

When the dude on Saturday kept grabbing my wrist, I flashed back
to that night in Hayward. I also began to think about Cynthia Grant
Bowman’s essay on street
harassment and how it affects women.
She discusses how it impacts our ability to be ourselves, our ability
to function and just have serenity in our day to day lives on the street,
and the ability to move from point a to b in the street without the threat
of violence or 8 million cat calls, hey shorties, what up boo, hey miss, etc.

I am thinking about Toni, and Charles telling her “no mo slavery talk.”
I am thinking about the Professor telling me that connecting
slavery to now is out of pocket.
I am thinking about how I am complicit in contributing to an environment
that normalizes or is neutral on violence against women. My wrist was
grabbed, yet thirty minutes later
I still sang along with snoop, “I got freaks
in the living room getting
it on and they ain’t leaving to till six in the mo’ning.”
I am thinking about what it means to finally realize, after all these years
that I, and arguably we, have been trained to tolerate being touched,
and how all hell breaks loose when we say stop.

Make any connections lately?
Anyone tell you to stop?
Thoughts on street harassment?
Thoughts on the video?

Women Who Like Hip Hop Are Idiots. Pt. I.

While Idiots may be a strong term,
suffice it is to say that it is a challenge to
be a card carrying feminst that sings the words
to “It Ain’t No Fun” at the club.

At the end of the day, it leaves us with
a WHOLE LOTTA reconciling to do.

Last March, TMR and I worked on a post on what
it means to be a woman who can quote bell hooks,
Rides for Common AND SING’s “It Ain’t No Fun”
like its Earth Wind and Fires “Shining Star”.

Peep the lyrics.

When I Met You last Night Babaaay
Before you opened up your gap
I had respect for ya lady/But now I take it all back
Cause you gave me all your p*ssy/And ya even licked my balls
Leave your number on the cabinet/And I promise baby, I’ll give ya a call

In the comment section, Jonzey remarked that, “Aye Blood, I be
thinking about that same sh*t too”, which confirmed that this is something
that I NEEDED to write about.


Honestly, I have been saving it for the new Banner.
I posed a series of questions to TMR.

Below I have pasted an edited version of our responses.
I broke it up into TWO parts, because Gotty has got on
me about my albeit, enjoyable, yet long winded posts.

Enjoy.

M.Dot: What does it mean to know the words to Bitches Ain’t Shit.

TMR: To know the lyrics to Bitches ain’t Shit et.al. began with an immediate connection to the song in the simplest manner?Da’ beat. As I put on my headphones to listen to my Doggystyle cassette I had no idea what Kurupt was talking bout.

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I have no love for hoes
That’s somethin I learned in the pound


M.Dot: You mean to tell me that you never felt this way.
Like, “Sure he cool, but I don’t love him.”

TMR:
Oh, well yeah?at first. I remember having a conversation with the dudes on my block about me listening to songs that talk about mashing chicks and calling them bitches and such. They tried to get at me as if I shouldn’t have been listening to such lyrics.

Take into consideration I was only about 13 or 14 and these dudes were the street dudes hollering at everything walking down the block with the ole “well ph*ck u then” if the female didn’t give them the time of day. Haha. My whole argument was based on the fact that bitches do exist and that’s who they were talking about?and I’m not that bitch, I’m that other chick.

I used to define “bitch” exclusively for black women who did ill things and therefore deserved this label but Snoop made me understand the word “bitch” could be mutually exclusive for the ill female and for bitch nickas too.

In retrospect, maybe it wasn’t just da beats, maybe it was the command of their voices when they rapped about something they felt they had control over? Women, violence and money. Maybe my poverty made me feel a connection based on oppression?

M.dot: Some bitches AINT shit.nThis doesn’t make the song any less harmful.

TMR: Naw, but I don’t call women or men bitches?well except in the case of a rap lyric. People do shady ass ish and in the case of an emergency I reserve the right to call either sex by the appropriate name.

M.dot: I never usto either. Probly comes from seeing mad n*ggas murked/ fights started over somebody calling someone elses momma/b.momma a b*tch. I say it all the time now.

TMR: Rappers who chose to not follow the rights of passage of disrespecting the female Black body to go gold and platinum risk the scrutiny of being labeled as a “conscious rapper” thereby limiting the audience that rapper is allowed to attract.

If skills sold
Truth be told
I’d probably be
Lyricly
Talib Kweli
Truthfully
I wanna rhyme like Common Sense
(But i did five Mil)
I ain’t been rhymin like Common Sense
“~Jay Z

M.dot: Who wrote that rhyme? Was that Jay?

TMR: Yeah. Phuck Jay even realizes this. but the ultimate goal in capitalism is what” Say it with me now $. And niggas be checking that integrity ‘ish at the door.

Why? Cause given the opportunity to throw some bitches, hoes, guns and foes in for some cash? Shit, I might have to reconsider my whole feminist theory. Naw, just playing. But look at the situation/economic classes of most of these rappers? These are dudes from the street where schools are deplorable, families are single headed, wages are considered below poverty so this is the price to escape these conditions.


If lyrics sold then truth be told
I’ll probably be just as rich and famous as jay-z
Truthfully I wanna rhyme like common sense
Next best thing I do a record with common sense
~Kweli

M Dot? And what about the female rapper that aint on some lil kim “throw lips to the ____” ish?

TMR: Yeah Kim was fun, she said all the things I wanted to but were afraid of. She taught me the power of the p*ssy, but sometimes I think she used the p*ssy as a front. Somehow I think she was more than that but since her use of the p*ssy got her famous that was all she was destined for. Female rappers who ain’t checkin for the hypersexual persona ain’t getting checked for. Period. How dope is Jean Grae, and she just getting on a semi major label with the whole Blacksmith deal. WTF!!!!

Music is marketing.

Nor do the Clipse, Kweli or …….
But now. Half the sh*t we like don’t have mass appeal.

“Controversy works, and plus I got a pussy/
but even with that, people scared to push me/
who’s a pussy first?”~ Jean Grae

=========
=========

So. Do you all think we are hypocrites?

Or do you think we are taking life as it comes
and trying to make/find a way for ourselves?

Are the Vixens “Slores”?

When was the last time you found yourself singing
the lyrics to some outta pocket sh*t?

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