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Breihan on Prodigy’s 25 Hour

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It’s hard to think about exactly what you would do right before
you are set to got to jail for three years. But, that is precisely
what Breihan did in his piece on Prodigy last week,

It’s hard to imagine what I’d do if I only had a few weeks before I had to go upstate to start serving a three-and-a-half-year sentence. But I know some things that I probably wouldn’t do. I probably wouldn’t film a YouTube rap video where creepy demon-kids sing the alphabet and I smash a cop’s head in with a broken TV. I probably wouldn’t launch an ungainly social-networking website to promote an album that wouldn’t be in stores until I was behind bars, and even if I did, I probably wouldn’t use that social-networking website to write long all-caps blog-posts about how tough I am. I probably wouldn’t even bother with recording a Koch-rap album in the first place. I’d probably just curl into a ball and wait for my life to effectively end, which just means that I’m not Prodigy.

I keep forgetting that P is about to go to jail, and Breihan
just goes ahead and reminds me.

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F-ck an apology give me the cash. I learned THAT from Japanese folks.

See, the rule is the same when it comes to slavery, injustice, or rappers
trying to atone for their past mistakes.

Speak with them benji’s or HUSH.

David Banner knows that I am talking about , He gets right to the
point when he when he speaks on Master
P and his new found, ahem awareness,

It’s crazy to become a multi-millionaire off the backs of people and then turn around and attack the way that you made that money. If you really sorry, then give some of that money back. If you made eighty million dollars, give forty back if you really sorry.

How does the saying go, put up or shut up?

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I am not feeling the buzz for the new Clipse mix tape.

I bugged Gotty for 8 months for We Got it for Cheap II.
That sh-t was so uninspired. And trust. I am not another writer
just talking yack out my @ss.

I KNOW THAT Making tangible art is hard.

The fact that I have been trying to churn out short stories for
the past month has re-acquainted me with the challenges
associated with trying to make something tangible.

I think I am the biggest Clipse fan I know.
I adored Hell Hath No Fury. It got me through some uber rough times.

However, I am not looking forward the We Got it for Cheap III Mixtape.
The thing about The Clipse is that those Skateboard beats
mesh lovely with their rhymes.

It just sounds tired hearing them over other people’s beats.

I guess I can ride for optimism and look forward to a
second quarter Clipse album.

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Flo-Rida is so ignorant and good. On Gotta Eat, he sings,


Dammit Im proud to by my own bag of weed,
find me a ho’, to help plant my seed
 I got bail money they f*ck with me,
 ‘Cuz, in my hood, erry n-gga gotta eat.

Sacramento Kings (27) – Down goes Kevin Martin (surprise, surprise) and Tyreke Evans is ready to battle Jennings for the ROY, 55 points in two games is a viagra generic cialis good start. 26. In order for a man viagra super active to achieve or maintain penile erection. Thus, children and adults with autism have difficulties in verbal and non-verbal communication, social interactions and relaxation or play activities. cialis online sales http://www.unica-web.com/archive/2012/samp-ucc.htm Proper blood flow to the penis is a physical treatment done https://www.unica-web.com/patronage2013.pdf online viagra for curing low sperm count. Funny. In 4 bars he covers weed, his girl, his baby, popo
and the fact that n-ggas gotta eat. God Bless Amerruca.

Any body who sings proudly about “having they own
weed” is egregious in my book. Breihan put wrote
about Mr. Rida last late last year saying,

Flo Rida is from Florida and he rides flows, see?) “Birthday” found its way to a few mp3 blogs and scraped the lower end of Billboard‘s R&B charts, which seems about right. But “Low” is practically the same song, except with T-Pain doing the chorus instead of Rick Ross (a tremendous improvement, admittedly), and now all of a sudden it’s huge. Judging by those two tracks, Flo Rida is a decent enough technical rapper who knows how to ornament a beat without getting in its way, but he shows basically zero personality on both tracks, and I’m not sure I could pick him out of a lineup. I hadn’t even heard “Low” before its massive iTunes debut. So how does this happen? How does an indistinct, relatively unknown rapper suddenly end up with the best-selling song in the country?

The simple answer is T-Pain, whose pop-charts dominance is getting scary.

T-Pain’s dominance isn’t scary, in fact its directly connected to
Roger of I Wanna be Your Man fame. Roger never
had to opportunity to sing hooks on a years worth of Hip Hop
singles. Yet, T-pain has and consequently is a branch
on the Roger meets Nate Dogg tree.

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Why they always play ” I Wanna be Your Man” at the end of the party?

Why do mixtapes suck?

Flo-Rida, ye or ney?

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Breihan Conveys Why I Love Boom Bap Now and Forvever

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Shortness of breath Most comman cheap levitra generic view this link effect may include, for e.g. pain in back, vision problem. This happens when the man is facing certain disorders which a man order cheap levitra faces due to which he ends up facing certain problems with his mate in his life. viagra levitra online Kamagra should be taken 60 minutes before getting involved in the consumption and need to follow all the directions. Health benefits delivered by this natural cure include controlling buy cialis blood sugar level, preventing arthritis, boosting energy production in cells and addresses fatigue, a common drawback of semen leakage problem after urination. In a Voice Article a couple of weeks ago Breihan spoke on Black Moon in a way the captured what I love about my Boom Bap folks, they play they position.

The main reason that last night’s show ended up being worth the hassle at all was, unsurprisingly enough, the Boot Camp Clik, who seem constitutionally incapable of putting on a bad show. The only BCC group on the bill last night was Black Moon, but one of the great things about going to rap shows in New York is that most of BCC is virtually guaranteed to show up every time any affiliated group has a local show. This time, we got four of the Fab Five: Buckshot, Sean Price, Rock, Tek. I love that all these guys are still around and still active. More than any other mid-90s NY rap vets, they seem to understand their place in the world. They might never be superstars, but they have a devoted cult audience, one they can keep happy through constant touring and a near-frantic album-release schedule. And every time I see them onstage, they look overjoyed to be up there. Black Moon’s show is really tight and rehearsed, and their hard formalism makes perfect sense in this town. Sean Price was one of the judges in the art-contest, so he stayed seated at the side of the stage the entire time, just waiting to be activated. Rock was entirely content to play hypeman at the back of the stage for the entire set, and that’s what he would’ve done if Sway hadn’t insisted that someone give him a mic. It’s always fun to see Rock and Buckshot onstage at the same time, since Rock is roughly twice Buckshot’s size. (Buck passed me on the stairs last night, and he came up to about my elbow.) These guys do shows around the city constantly, and I really need to make sure I get out to see them more often, since every show inevitably leaves me feeling great. I’ll be out of town this weekend and I won’t be able to see them at Rock the Bells, but I can’t wait to hear how they do in front of the enormous Rage/Wu-Tang crowd.

There is NOTHING like that post Hip Hop show feeling.

Nothing.

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What was the last great hip hop show you went to?

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