For My Grandmother

When in doubt, if you have an question, look to you ancestors first for answers.

I think we waste a lot of time, fiddling around, instead of exploring the answers  already set forth by the folks came before us.

When we do this, I think we will have the future that we already have and need, the future that we come from.

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Today is my grandmothers birthday, and told myself last year that I would honor her. She was a cold piece of work of a Black woman from Dallas, Texas. Afraid of no human being.   Family lore says that she once slapped an Oakland police office for being disrespectful to her. She wrote her own habeas corpus in order to have herself RELEASED from jail after my grandfather put her there. And she could read you in your bone marrow both when she had sight and after my grandfather blinded her; her ability to read had nothing to do with her eyes. Like me.

When people compliment me on Black girls are from the future, or the book or anything, I don’t shirk. Why? Because I know quite honestly that I have the life that my grandmother wasn’t allowed to have. My work is hers.
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She is a genius, like so many Black women born in the 1940’s who made due with what she had. I get my tenacity, wit and perhaps my comfort with language from her.

Grandmomma, thank you for my life, I am glad you were able to live with me for that short period when I was eight years old. I always think about the conditions under which you lived your life when I think about giving up on my creative projects. I am honored to be your little bear.

You’re my favorite Libra.

Love,

Renina

From Cafe los Negros to Black Girl Twitter: A Note on Race and Ownership of Social Media Properties

 Cafe los Negros

 

Last year while writing my book I read (@ Moya’s recommendation) “Race, Technology and Everyday Life“, edited by Alondra Nelson, Thuy Lihn N. Tu and Alicia Headlam Hines.

In this book there is a hell of an interview by Andrew Ross of Mclean Mashingaidze Greaves. Greaves was the founder of Cafe los Negros an online destination for Urban Black and Latino folks founded in 1996. Yes. 1996, nearly 20 years ago.

Now I am going to get into race, access to venture capital, Black girl twitter and why Greaves was a visionary.

First, what is deep to me about this interview is that Greaves was running an internet start up company out of Bed Stuy in 1996. He was a visionary. He saw that the internet was a natural space for urban folks of color to congregate and support independent artists. He understood that once broadband expanded then independent content creators like myself, would be able to interact directly their their communities. He knew that the television and the internet would eventually become fused together. He also foresaw that that there would be a niche to be filled, as Brown and Black folks in the city with disposable incomes would begin to want media that was relevant to their lives. The Black gossip blogosphere and the hip hop blogosphere speaks to that, so does the evolution of The Root, Ebony, Essence and Jet.

Ultimately, Greaves argues that his company was cut off at its knees because he needed a team and funding to really gain some traction.

Here is the thing that disturbs me about the current rhetoric around women, technology, coding, venture capital, Black girl twitter and even crowd funding.

Whether than complain about diversity and numbers who is funding venture capital pipelines for folks of color to OWN their platforms, rather than continuously uploading free content to Wall Street traded social media platforms all day (Facebook, Instagram, Twitter, Yahoo…etc.)

Reading this Greaves essay shows me that even prior to the rise of the Blogosphere, young urban Black and Brown people were trying to OWN their own platforms. Not only where they trying to own their own platforms but that had a sense of building community while they did so. They were trying to own their own platforms while living in the ‘hood. After I read this, I was really curious as to why Greaves’ narrative is absent from the “we need to teach folks to code” discourse. Of course I am being rhetorical and marking power here because it is important.

Now let me tie this to Black girl twitter.

According to Pew Internet research I’ve known since appropriately 2010 that Black women are hyper represented on twitter. Because I’ve known that Black women are hyper represented on Twitter, I’ve been sensitive to the notion that NOT ALL social media platforms are equal. For instance, I can go back through all 963 blog posts I have written here I have statistics on which are the most popular, I can find old comments, I can see the countries of the people who visit my site. This level of social media info isn’t available on Twitter (even though they just upped their analytic cards) and you cannot get granular levels of details about who has visited your page and when, and for how long from Facebook.

My point about Black girl twitter is that I came to the conclusion at the end of last year that Black women (primarily in the US and on the coasts) are creating quantifiable value for other peoples media content on Twitter. I didn’t understand this until, one day while watching a show on OWN, a friend pointed out that there was a group of people sitting at a desk on laptops within a frame of the show. If you blinked you would have missed it. I was told that those are producers, interacting with Twitter users and that this was a relatively new development. I was also told that show runners negotiate for MORE money for ad sales for shows that have high tweet engagement. This is one of the ways in which Black women create quantitative value for television shows, but on user generated content sites, as they stand now, they will not be rewarded for this value creation. Don’t believe me, see Scandal Thursdays, Being Mary Jane Tuesdays, or the tweet volume associated with the airing of  the Black Girls Rock award show.

I am still working out these ideas here, however I am clear that it is ahistorical to rely on coding rhetoric when thinking about the pipeline of Black and Brown technologists.

Greaves legacy shows that Black and Brown folks have been visionaries with regard to early adopting digital technologies and leveraging them to build businesses and niche communities.

Perhaps there needs to be less diversity talk, and more of an examination of the past, as well as more money placed into pipe lines to create the owners that folks like Greaves wanted to be nearly 20 years ago. Let me be clear here, I am not simply talking about making more moguls, but I am thinking about tech literacy, and justice literacy as it pertains to these tech spaces. I am particularly concern because the internet of things (sensors being placed on objects that then store information such as your refrigerator sensing that you are low on milk) will become an ingrained part of our day to day lives as we move into the future.

What are the limits of tech diversity rhetoric?

Did you know about Greaves? What does it mean that a Black dude who was trying to create a start up 20 years ago in Bed Stuy?

Overall post response? Is this really about making little Black and Brown Mark Zuckerbergs? If so, what are the benefits and costs?

 

More on Greaves here:

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On Black Women x Hip Hop x Feminism in 2014

 

I am going to be @ UDC doing a panel on Hip Hop and Sexuality as a part of the One Mic DC Festival. If you are in the area, please stop by, I’d love to see you.

Feminism and social media has hit a tipping point of sorts over the last 6 months with regard to online conversations. As a person who has been blogging/writing about the intersection of hip hop and feminism for nearly, gasp, ten years, I have a unique perspective.

So here is what I am thinking about. Boom Bap. Feminism and the Political/Politics of who gets in the archive.

  • There is a post right now on The Awl about Women of Color and boom bap, as it pertains to the documentary series “The Tanning of America.” These conversations are peculiar to me because the elephant in the room is that SOME people just are not interested in hearing what Black women have to say. Now a lot of folks won’t say that shit out loud, BUT, I think that that is the subtext to a lot of these conversations. This blog post which addresses gender and why some men CAN’T listen to Nicki Minaj underscores it.  Furthermore, Choosing NOT to listen to someone is an act of power. It isn’t also lost on me that Black Girl Emcees are underrepresented in the documentary “The Tanning of America.” In fact it underscores a clear pattern with regard to the treatment of Black women and girls. Black women solidly voted democratic and for president Obama, we are a key part of his base. However his most recently policy chooses to focus on our brothers and our sons, but we street teamed for him in ways like no one else did. The data shows this. One of the central jobs of Feminists in general and Black feminists in particular have been writing Black women back into history even if we have to do it in the crevices; for now. Choosing to write yourself into history is an act of power as well.

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  • So I have been thinking about Nas and his feminist mafia tweet. Nasir Jones’ Illmatic has been central to my identity since I was as a teenager. Especially as a teenager.  So has Black feminism. See this blog post “Michele Wallace and Illmatic.”I had been going back and forth with Britni Danielle about Nas and that tweet and I came to clear conclusion. I am not really invested in what Nasir Jones thinks about feminism unless and only if he is using is platform as a space to interrogate healthy forms of Black masculinity, and toxic Black masculinity!!! The hood needs it. AND, I really think it would be interesting. This is no shade to Britni, she is my homegirl we’ve been in this internet game together for a hot minute and if all goes well we will be doing a book reading in LA next year. However, I needed to untangle, and mark my concern OR lack of investment in what he has to say about that topic. I think the other things is, two Black girls, queer Black girls were murdered two weeks ago ostensibly because they were a couple.  In fact, Britney Cosby and Crystal Jackson may have been murdered by Britney’s father. They were killed and left near a garbage can. The fuck? And Relisha Rudd is still missing. I think that questions of state violence against Black people, and violence against Black girls in Black families presses ME more right now.
  • I just want Black girls to be free. Not just the sons. If I ruled the world. <—You see what I did there? #blackgirlsarefromthefuture.
  • All this being said. I am happy that there is a lot of theoretical energy invested in Black feminism online. I think it is the work of 100 years of often unacknowledged/ under acknowledged work by Black women and women of color.

What do you think about hip hop and feminism and 2014?

Is the issue really that some folks don’t give a shit about what Black women have to say?

Or is the issue that I am tripping because we can care about Relisha, Britney and Crystal AND Nas?

Oh and I LOVE my Ice Cube meme. I am winning!

To the Person in Carbondale, Illinois Going Through My Archive….

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Black Girls Are From The Future Meet and Greet: Event Photos

On Saturday July 20th, 2013, one of my dreams came true. We celebrated the work of Mambu Badu Photography Collective and the release of my new book Black Girls Are from the Future: Essays on Race Digital Creativity and Pop Culture.
For those of you who were able to make it out to the event in that hot sweltering heat, I really appreciate it. For those of you who were there in spirit, you are appreciated too!

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You can buy the book Black Girls are from the Future: Essays on Race, Digital Creativity and Pop Culture on Amazon and Big Cartel.

 

 

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Don’t we look simply smashing!

 

 

 

Black Girls Are from the Future _MB Flyer

 

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The new edition of the “Black Girls are from the Future” tote bags are here as well. This version is larger, brown and cotton! You can buy these at Big Cartel as well. There is a limited number of t-shirts available in small, medium and large.

More event photos are available on Facebook, BlackGirlsArefromtheFuture.com and NewModelMinority.com.