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On Mambu Badu and Black Girl Problems Tumblr x Essence’s New White Male Editor

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Earlier this year I said that Mambu Badu was the freshest thing since Honey Magazine. The Quirky Black Girl magazine from 2000 that articles on Lil Kim and Lauryn Hill. The articles seemed to reflect a vision of Black girls that wasn’t as focused on racial uplift, natural hair guides, and finding a “good Black man” in the way that say- Essence is.

Mambu Badu is significant to me because it appears to be made with the explicit intent of centering the lives and art of Black girls. Where else is that?

Furthermore it is unique in that it doesn’t seem to be in response to an event. It appears to be an endin and of it self. That kind of work is powerful.

Disclosure, two of the creators are my homies @alice_wonder and @dascruggs. The third creator is the awesome @kameelahwrites.However, the whole time they were working on it, I had not idea of the scale of it. I say they should do a limited printing of 100 copies and sell them.

On to Black Girl Problems on tumblr.

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This blog resists the erasure of Black girls and for that reason it is hella fresh.

Oh. Essence just got a White male managing editor. #Ummh. Talk about the importance of Black girl subjectivity.

You up on Mambu Badu? What did you think of it?

Black Girls Problems? Thoughts?

Making Connections between Odd Future x Jay Z x Beyonce

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In my head I have been trying to make sense of Beyonce, Jay-Z and Odd Future and how audiences have received, accepted and criticized their work.

I have written about Beyonce here and here. Jay-Z here. I add Odd Future because I have yet to see a feminist analysis of them and I am theorizing that there is a connection between how audiences see them and how audiences see Jay and Beyonce.

Jay and Beyonce

Many of my friends get incredibly irritated when I say that I want Beyonce to sing about her husband. To talk about how he likes his eggs. Does he like cheese on them, hot sauce, cracked black pepper, scrambled hard.  I am not interested in how the man likes his eggs per se. I am using it as a way to open up a conversation about how audience desire shapes what artists talk about. I contended that Jay Z does not talk about loving his wife because honestly white and black audiences, and multiracial audiences are not interested in hearing about him talk about her.

“Take em out the Hood, Keep ‘Em Looking Good, But I don’t Fucking Feed ‘Em. – Jay Z, Big Pimpin‘.

In fact in this post Britini Danielle @ Clutch Magazine discusses Wiz Khalifa claiming Amber Rose publicly and the proliferation of the “we don’t Love them ho’s comments on blogs.

I am interested in Black people being rendered as human being in pop culture and in there day to day lives at work, on the train and in the grocery store. Why? I want all people in general and Black folks in particualr to be rendered as human beings. Singing about how your lover likes his or her eggs is incredibly humanizing. Talking about how much you love them is humanizing as well.

Honestly, I prolly wouldn’t care how Jay-Z liked his eggs if Black men and women controlled how their stories were created, told, distributed.

1. If they could greenlight their own films and Hollywood and control how they were distributed.

2. If there wasn’t a need for documentaries exploring the “lack” of women in hip hop.

3. If there was a space for Black women in pop culture who don’t fit the “Long haired thick red bone” aesthetic. Peace to Jennifer Hudson.

Does pop culture have to be humanizing for Black folks? If no, what is at stake if it doesn’t humanize us. If yes, what does that look like?

Odd Future

The first time I heard a DJ spin Tyler’s Yonkers, I was like who the hell is this? The beat sounded bare like early Clipse work. As a blogger, I read about what music bloggers are writing about, often before or whenI listen to the music. In fact conversations tend to percolate in my twitter timeline before writer #Natureofthebeast.

Here is Odd Future at a show performing Kill People, Burn Shit, Fuck School. @1:42. 109,664 youtube views.

Here is Tyler the Creator’s Yonkers. 14 million + youtube views.

There as been a ton written about Odd Futures popularity on the Black and White blogosphere and with multiracial audiences.

In the Chicago Sun-Times profile by Thomas Conner, Odd Future members contend that,

Odd Future’s lyrics, they maintain, are preposterous artistic expressions rather than reportage or incitement to action.“Nothing is really serious,” Hodgy Beats told the Sun-Times this week from a tour stop in London. “It’s just like all the things in our music. It’s in the atmosphere, it’s in the world, and it’s in our lyrics. … I think it’s funny that people flip out about s— like that.”

In an article titled “Odd Future and the Middle Class White Music Geeks that Love Them” the author writes,

It’s the general consensus of music writers everywhere (almost all of them white) that Odd Future Wolf Gang Kill Them All can do no wrong.  The 11-piece L.A. collective, consisting of singers, rappers, producers, and visual artists between the ages of 16 and 23, has been praised as the next Wu-Tang Clan, the future of rap, the ultimate 21st century hip-hop group, etc., etc.  Their confrontational lyrics and gritty No Wave approach to hip-hop seem to attract more people than they scare off.  However, almost all of this praise has come from middle-class white critics and fans with interests in underground music. A photo of one of Odd Future’s notoriously raucous gigs shows a sharp contrast between the black, teenage group members onstage and the pale, white, twentysomething audience.

What does it mean that the most laudatory voices for Odd Future are White Male “music geeks”?

Should Odd Future be able to make the music that they desire, for largely White audiences given the history of Black images in this country?

Beyonce x Jay Z x Odd Future

Earlier in the post I stated that there is a connection between how audiences see them. However, we can’t really have a conversation about Black people and images without looking at the history of Black images.

Dave Chappell walked away for a reason ya’ll.

So, what is the history of images of Black people in the US? Whitney Peoples in the article “Under Construction: Identifying Foundations of Hip-Hop  Feminism and Exploring Bridges between Black Second-Wave and Hip-Hop Feminism” gives a thorough explanation. She writes,

Much of mainstream rap music has been reduced to a never-ending obsession with monetary gain, appropriation of patriarchal notions of power, material possession, partying, women, and sex, all of which are secured and protected through the hyper masculine threat of violence. Mainstream rap music is most easily commodified because it represents ideas of blackness that are in line with dominant racist and sexist ideologies; it has economic potential only because it works hand-in-hand with long established ideas about the sexual, social, and moral nature of black people.

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In other words, the images of black male violence and aggression that dominate mainstream rap music are highly marketable in America because of already existing ideologies of racism that long ago named the black male as supreme aggressor and physical and sexual threat. Similarly, the images of sexually available black women that pervade rap music are marketable because of already existing ideologies that designated black women as hypersexual and morally obtuse.
Peoples is essentially saying that mainstream rap and I would extend that to say Odd Future (they are clearly underground but beloved by “White music geeks”) is popular and earns corporations money because they affirm already existing ideas around black men being homophobic, violent and hypersexual.

Having written this, I am left with a few questions.
Does Odd Future get a pass because “White music geeks” have the power to legitimize rappers with a sizeable fan base who think that rapping about rape, murder and homophobia isn’t really that serious?

Does Beyonce need to write about how her husband likes his eggs?  What does it mean that a middle class woman, who earned $80M in ’07-08 , spent a significant portion of her career writing about men soldiers, men who hustle, etc?


Is it legitimate for Jay to have continued to rap “about crack” when he was a millionaire? Is this selling a fantasy of a certain kind of Blackness to young people of all races? Can the man who wrote about Big Pimpin’ write about his wife?

A Feminist Analysis of Sheryl Sandberg and the ‘Male Dominated’ Silicon Valley

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In a society organized by and for men, it makes sense for women to be exluded from pursuing science, technology, engineering and math (STEM).

STEM research and jobs spur the innovation for our Capitalist economic system. You can’t have innovation, at least how we are thought to conceive of it, without STEM. Which leads me to ask, what is at risk by excluding women from this field. But, let me take a step back, as I just I got ahead of myself and will address that later in the post.

As a Black woman and a young scholar, one of my research interests is the inclusion and exclusion of women in general and women of color in particular from STEM careers.

Women are disproportionally clustered in jobs that pay minimum wage, (waitresses, cashiers, nurse aides, child care workers) yet they are expected to provide the resources to take care of children and do the work in the home to raise children- married or not.

In fact I have contended that the issue isn’t the fact that single mothers raise low achieving children or are bad parents, but that women are not paid enough to do the work that is considered “women’s work.” Lets not start on the narratives around Black and Latina single mothers, that is a dissertation and a few books and conferences in and of itself.

So, it was with great interest that I read Ken Aueletta’s profile on the Facebook executive  Sheryl Sandberg. There are a few things that struck me about Sandbergs social network, economic background, and educational background.

She came to Facebook from Google. She attended Harvard, majoring in economics and took a class with Lawrence Summers- Public Sector Economics. According to the article she did not speak or raise her hand in his class, but she received the highest midterm and final grades. Born in DC in 1969, her father was an opathamologist, her mother was a doctoral student who chose to leave school and focus on raising Ms. Sandberg and her little sister.

Summers eventually recruited Ms. Sandberg as a research assistant after she earned her MBA and worked for the consulting firm, McKinsey and Company. What is incredibly interesting is that as Larry Summers career evolved, so did Sandbergs. After working for Summers at the Treasury Dept she went to work at Google in 2001 and Facebook in 2008.

As I read the article, I wondered, where is the baby, does she have a child, where is the baby. Then bingo. Here it is:

Sandberg fell in love with Dave Goldberg, her longtime best friend, and the two were married in 2004. Their first child was born in 2005. She struggled with her own work-life balance, and developed a sense that too many women at Google and elsewhere were dropping out of the workforce after becoming mothers, in part because they had not pushed to get a job they loved before they began having children.

I don’t expect a media writer to have a gendered critque of labor. So let me unpack this a bit.
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Aueletta and ostensibly Sandberg are basically saying that the reason why women DO NOT have more institutional power is because they fail to get the jobs they want because they don’t strategically choose when to have children.

Is it possible that the reason why women do not have more institutional power is because society needs women to bear children, in order for our population to continue to replace itself.

The article does go on to offer a critique of Sandberg stating,

Critics, however, note that Sandberg is not exactly a typical working mother. She has a nanny at home and a staff at work. Google made her very rich; Facebook may make her a billionaire. If she and her husband are travelling or are stuck at their desks, there is someone else to feed their kids and read to them. A more sweeping critique is that it’s not enough for women to look inside. Marie Wilson, the founder of the White House Project, which promotes women for leadership positions, attended Sandberg’s TED speech and knows and admires her. But, Wilson says, “underneath Sheryl’s assessment is the belief that this is a meritocracy. It’s not.” Courage and confidence alone will not compensate when male leaders don’t give women opportunities. She adds, “Women are not dropping out to have a child. They’re dropping out because they have no opportunity.” And she doesn’t agree that new attitudes can close the gender gap. Wilson points to Norway, which requires that all public companies have at least forty per cent of each gender on their boards.

So there are some folks who understand that it is one thing to say “women need to work harder, speak up, and be strategic about family planning.” It is something completely different to say “I am in a privileged position, I have support staff at home and at work and because of this I have other opportunities available for my career.”

Keep in mind that Sheryl’s mom left a doctoral program to focus on raising her and her sister.

I understand the instituational exlusion of women. As I sit here with my stacks for readings for my doctoral comprehensive exam in August, trying to wrap my head around feminist research methods, feminist techno science, intersectionality and  various epistemologies I am well aware of how the day to day constraints of life (working, buying groceries, laundry, caring for loved ones) can influence women’s abilities to pursue elite careers and paths of study.

I am glad that this issue is being discussed, but it is short sighted, disrespectful and ahistorical to blame women for their lack of advancement within STEM research paths and careers.

To put it another way, if men had the child bearing capacities of women, federally subsidized childcare would be available, accessible similar to Starbucks and McDonalds on nearly every major intersection in this country. I kid you not.

When women are given the support and expectation to soar, we do. I am proof of it. The women bloggers, engineers, professors, lawyers, graduate students, biologists, filmmakers and editors are all proof of it.

To blame women for their “lack of achievement” is short cited, individualistic and it fails to consider that raising children is work and that mothers who work both inside and outside of the home are penalized for it with lower wages and fewer promotions.

Tip Your Servers, It is How We Survive.

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#Dedicated to Jerm the Perm and to everyone else on that shift work for tips.

For the last two summers I have worked as a waitress at some point.

#AutonomyisExpensive.

Depending on the state in which you live, a restaurant may pay a server between $2 and $4 dollars an hour.

This means that servers and bartenders pay their bills off of the tips they earn because the money the restaurant pays us is essentially taken by the federal government to cover the taxes on our tips.

I honestly try and tip between $18-25% because of this.

This means between $3.60 – $5 for every $20.

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I classify service workers as  waitresses, retail clerks, sales people etc.

Tips for bartenders and servers mean cell phone bills, rent, and other necessities get paid.

This past spring my Women in Society students learned about how the jobs that pay the lowest have highest concentrations of women. Cashiers, assistant level Nurses and Servers. They became enraged when they realized that women are concentrated in these jobs AND they are expected to pay for child care and other child rearing expenses without little to any help from local, federal governments or their employers.

So please, if you find yourself out and about this summer. Tip your server and bartender. It is how we survive.

You work as a waiter or waitress recently?

They cash you out?

Do you have positive bartender or server experience to share?

On Black Men Telling Our Stories?

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One of the reasons why I have devoted nearly a year and half to working on a project on Black women’s sexuality is because I am sick and tired of Black men speaking for us. Telling our stories.

Stories help us to understand who we are. Stories are how we make sense of the world. This is why children love them so much. Stories are magic.

How are you going to understand who you are when someone is always telling your story?

In terms of Black women’s bodies, I have found that between being perceived as being 50 million ho’s in rap videos to having our bodies hyper surveilled by our families, there is no place for us to just be, in our bodies.

The way I see it, the ability to speak for my self, for ourselves is tied to our ability to act, to be human.

Think about it. When was the last time you were at work or at home or with your family and someone started speaking for you, putting words in your mouth.

I can’t stand when someone puts words in my mouth. I can speak for myself.

Last week, I had a heated discussion with Goldy about my blog. I had just learned that a new book  is about to come out about Black women and dating titled “Is Marriage for White People?”  I was pissed because I thought, here we ago, another person, who is not a Black woman, talking about Black women’s narratives. I thought to myself Act Like a Lady and now this?!#@#@!I#P@#%!

With regard to my blog, Goldy couldn’t understand why I did it. Wait scratch that, she asked me whether I thought about the tension between writing publicly about sensitive topics, some of which are personal, and the risks associated with it, ie your google footprint.

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I went on to tell her that I am tired of Black men telling our stories. She then looked at me and said “That story that he is telling is not Black women’s story. In fact, there ARE many women in DC who believe the narrative and the advice in Act Like a Lady, Think Like a Man.” I said “Well, my blog is a counter narrative. #Blackgirlsarefromthefuture. I write my blog to show that there is a different experience. That Act Like a Lady narrative attempts to erase me and my homies. We don’t want for dates. We are Black feminists. We want to be treated like human beings. Thats the issue. We get all the dates we need.”

She then went on to say that “While that may be true, the Steve Harvey book IS speaking to a group of Black women, they believe it, that is their story but that is NOT Black women’s story. Renina, you are saying that Black men are telling our stories, they are telling one story about a group of women who believe it.”

Then a light bulb went off. I realized she was right. My adviser stays on me about using precise language when I am writing. And I mentioned that.

I then went on to say that “Okay, you are right. Black men are telling a particular story about Black women. However, when we look at mainstream representations of Black women, the image of the single, affluent/middle class, college educated, lonely, heterosexual Black women is pervasive. Wasn’t there an entire special on TV last year about this demographic? In some ways this woman is the new “Welfare Queen.” Black women have gotten off public assistance, according to mainstream representations, but we are still  dysfunctional and deviant, strong, powerful, unmarried and childless.” She nodded.

I like the fact that she challenges me. That she can point to weaknesses in my arguments and my logic. This is a hard thing to find as a doctoral student. #Ummhmm.

**For more Peep Summer’s piece on Black men telling our stories and Beauty standards for Black women set by popular culture and Black men.

What would you change about how mainstream media represents Black women?

What is the appeal of Act Like a Lady, Think Like a Man? Have you read it?