Using your Voice Makes You a Target

Returning a book back to the library Monday, I decided to look at the magazine section. I came across the most recent issue of The Nation and decided to pick it up. I know that Professor Harris Perry had discourse with Cornel West and Chris Hedges in May around President Obama’s positions and policies around race, racial alliances, identity and class. So I decided to read this article because it seemed to be a follow up to the conversation. It also helped that the title was “Breaking News: Not All Black Intellectuals Think Alike.” #Heheheh.

A particular part of the article spoke to me, the section where she connects voice to citizenship. She writes:

Citizenship in a democratic system rests on the ability to freely and openly choose, criticize and depose one’s leaders. This must obtain whether those leaders are elected or self-appointed. It cannot be contingent on whether the critiques are accurate or false, empirical or ideological, well or poorly made. Citizenship is voice. West exercised his voice, and I mine. But the history and persistence of racial inequality and white privilege in America means that the exercise of voice for black citizens is fraught with the dangers of surveillance. It’s yet another challenge of being black and exercising citizenship in the United States. Even as we articulate our grievances, black citizens are haunted by that “peculiar sensation” that W.E.B. Du Bois described as “always looking at one’s self through the eyes of others, of measuring one’s soul by the tape of a world that looks on in amused contempt and pity.”

I thought of voice and the fact that two White men have been impersonating queer women of color on the internet.

I thought of how my colleagues, other Black women who are teachers and graduate students from across the country who write anonymously on the internet for fear of retribution from their departments and future potential employers. Whereas on the other hand, here are these two heterosexual White men assuming the identity of women of color, to further their own career ends.

I thought of how I routinely have to tell Negro men to sit down when they try and debate me about gender theory, racial theory or political economy on the internet. It’s not that I don’t mind being challenged, that is a part of the game. The issue is their willingness to challenge me while being woefully under read. When I am dialoging with people who know more than me in an academic setting or on the street, I shut the hell up and listen and learn. These men, and some women on the internet learn real quickly that they can learn from me  or ask me questions, but unless they know my arguments, and the arguments of the people I have read, I will sit them down with the quickness. My work will be respected. This ain’t JV, this is elite. I have the bills and bifocals to prove it.

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I vigorously object to the oft-repeated sentiment that African-Americans should avoid public disagreements and settle matters internally to present a united front. It’s clear from the history of black organizing that this strategy is particularly disempowering for black women, black youth, black gay men and lesbians, and others who have fewer internal community resources to ensure that their concerns are represented in a broader racial agenda. Failing to air the dirty laundry has historically meant that these groups are left washing it with their own hands.

To say it another way, failing to air our dirty laundry leaves the deviants, the single mothers, the queers, the lesbians, the gays, the felons, the hustlers, the sex workers-basically anyone who is lewd and lascivious shit out of luck.

Using your voice makes you a target, but as Audre Lorde has famously said, your silence won’t protect you.

You use your voice lately?

How did that turn out?

You choose NOT to speak up lately?

How did that turn out?

The Job of Black Writers

Me + Baldwin @ a beach in Long Island, Summer ’08.

I Love Baldwin and it seems that every summer I return to his collection of essays published by the Library of America.

What is the job of Black writers? The work?

Baldwin addresses this in the essay “Notes for a Hypothetical Novel.”

I like this quote because it gets at how writing is profoundly rewarding and often a Sisyphean task as well.

The importance of a writer is continuous;?? I think it’s socially debatable and usually socially not terribly, but that’s not the point; his importance, I think, is that he is here to describe things which other people are too busy to describe. It is a function, let’s face it, it is a special function. There is no democracy on this level. It’s a very difficult thing to do, its a very special thing to do and people who do it cannot by that token do many other things. But their importance is, and the importance of writers in this country now this is, that this country is yet to be discovered in any real sense…

Baldwin doesn’t say that this is the job of Black writers, but in reading this it certainly made me think of it in these terms.
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Black people are richer than ever before, financially. More Black men and women are in jail than ever before. We also have a Black president.

As media, and the rest of our lives moves online, I am mindful that most of the popular Black websites are concerned with the lives, affairs and misery of the Black famous rather than using the space to cultivate what Dayna Cunningham calls Black voice.

Black people have continually forced the United States to live up to being the democracy that it claims to be.

What happens when Black people who are media savvy are not primarily concerned with cultivating Black voice during a time of great change?

If everything that is digital is free, and as books become digitized, what will happen to Black writers ability to sustain themselves and how will this impact Black people?